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European Journal of Mineralogy; November, December 2006; v. 18; no. 6; p. 835-843; DOI: 10.1127/0935-1221/2006/0018-0835
© 2006 E. Schweizerbart'sche Verlagsbuchhandlung Science Publishers
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The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques

Sébastien Aze1,*, Jean-Marc Vallet1, Alain Baronnet2 and Olivier Grauby2

1 Laboratoire du Centre Interrégional de Conservation et Restauration du Patrimoine (CICRP) 21 rue Guibal, F-13003 Marseille, France
2 Centre de Recherche sur la Matière Condensée et les Nanomatériaux (CRMCN-CNRS), Campus de Luminy, F-13288 Marseille cedex 9, France

* E-mail: sebastien.aze{at}cicrp.fr

The phenomenon of red lead pigment fading in wall paintings was investigated through the study of an experimental fresco painting. Chemical modifications of the pigment induced a local fading of the pictorial layer after a 25-years natural ageing period. Representative features of the alteration phases, including composition and structural information, were obtained by applying complementary micro-analysis techniques to the study of a single paint sample. Focused X-ray diffraction patterns of small areas were collected using a highly sensitive detector, revealing the transformation of red lead pigment into both cerussite (lead carbonate) and anglesite (lead sulphate). The distribution of Pb, S, O and Ca elements within the cross-section was established using electron micro-probe analysis, and correlated to micro-Raman semi-quantitative mappings of minium (Pb3O4), cerussite (PbCO3), anglesite (PbSO4) and calcite (CaCO3) phases. The micro-structural characteristics of each lead-containing phase were investigated by means of scanning electron microscopy observations of the sample cross-section using backscattered electron imaging. The major role of atmospheric pollutants (SO2, CO2), together with water condensation on such a red pigment fading is emphasised.

Key-words: chromatic alteration, red lead, experimental fresco painting, natural ageing, micro-analysis.




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S. Aze, J.-M. Vallet, M. Pomey, A. Baronnet, and O. Grauby
Red lead darkening in wall paintings: natural ageing of experimental wall paintings versus artificial ageing tests
European Journal of Mineralogy, December 1, 2007; 19(6): 883 - 890.
[Abstract] [Full Text] [PDF]




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